GOODIES

Hello Hello Hi. It's been a while so I thought I'd post up a trio of mixes that have been giving me brain erections over the last few weeks. Every time I listen to them in the office where I'm ''working'' I have to cross my ears over my skull just to hide the bulge. Failing that I just concentrate very hard on data entry and my brain begins to shrink to a manageable size - say, that of a tennis ball.

The mix I've been listening to the longest is Ben UFO's Fabric Promo Mix (right click and save). It's intesting that the kind of 'dubstep' Ben's playing nowadays is so percussively led that there isn't a very obvious point where he moves from stuff like Omar S and Karizma to Peverelist and Mala. It's all mixed up, and it BANGS the whole way through (not the way a porn-star bangs, more like the way Seal probably bangs if he's pissed). Worth a special mention are the tunes by James Blake and Joy Orbison - both fucking bootiful and full of happyweird vibes.

Greena - Maracay (Forthcoming Applepips)
Omar S - Busaru Beats (Sound Signature)
Aphrodisiax - Unfinished Business (Jus House)
Karizma - 33rd Street Anthem (Defected)
Unknown - Unknown (Unreleased)
Altered Natives - Rass Out (Fresh Minute)
Pearson Sound - Wad (Unreleased)
L-Vis 1990 - Hey! (Unreleased)
Brackles and Shortstuff - Sutorito Faita (Forthcoming Planet Mu)
Deep Cover Inc. - Deepin' Side [NYC dub mix] (FX)
Ramadanman - No Swing (Unreleased)
STP - The Fall [T++ remix] (Subsolo)
Peverelist - Teachings (Unreleased)
Shortstuff and Mickey Pearce - Tripped Up (Unreleased)
Untold - I Can't Stop This Feeling [Pangaea remix] (Unreleased)
Bump and Flex - Promises [Hardstep dub] (Urban Heat)
Untold vs. Tempz - Nextaconda (Unreleased)
Youngstar - Bongcat Riddem (White)
James Blake - Air and Lack Thereof (Unreleased)
Untold - Flexible (Unreleased) Ikonika - Unknown (Unreleased)
Mala - Hunter (DMZ)
Joy Orbison - Hyph Mngo (Unreleased

Next up is a mix by Alex Bok Bok for Lucky Me (right click save) which is, barring the most tasteful (but good) thing I've ever heard from Doneao, approx. an hour of veiny sausage meat riddims.

01 - REFUGE - U Best Believe

02 - DONAEO - Love To Happen

03 - MOSCA - Square One

04 - DRE SKULL - I Want You (BOK BOK remix dub)

05 - ALISON HINDS ft MACHEL MONTANO

06 - DJ CLEO - East Rand Funk

07 - R1 RYDERS - Rubberband

08 - DORIAN CONCEPT - Trilingual Dance Sexperience

09 - SHORTSTUFF & MICKEY PEARCE - Tripped Up

10 - ZOMBY - With Lasers

11 - ELECTRIK RED - Drink In My Cup

12 - JOKER & GINZ - Purple City

13 - TERROR DANJAH - Sidechain

14 - BOK BOK - Crew dub

15 - DJ ASSAULT - Vandalism

16 - MR DE - Time Space Scrilla

17 - BASUTBUDET - Take Them Out To Eat (BOK BOK's sundown edit)

The tunes on this mix are nuts, I don't even know what genre a lot of them belong to - but it's in the area of funky/garage/dubstep/grime/soca/rave... Remember this post? All the mixes in this post wot I'm doing here mix up different genres, but there are also quite a few tunes in each mix which are spanning genres on their own - margin tunes which are forming a new and turbulent centre in this kind of mix.



Last but by no-fucking-means least is Untold's mix for Fact Magazine (Link HERE). In Blackdown's recent interview with him, Untold talks about how he is interested in combining cliches from various genres to see what will happen to them - 'mongrel' beats. You'll see what he means as soon as you hear this mix. His tunes feature recognisable synth/bass sounds from Grime/8-Bar, jungle, hardcore etc. placed together in rough harmony - and whether or not the combination always works, you can't deny the energy and excitement that such a scattergun approach provokes (to both the listener/dancer and the budding producer/DJ).

These tunes are mixed down perfectly well, and will no doubt devastate a dancefloor, but they don't sound at all slick or tasteful: you can see the joins. In this respect, they do justice to the references they make to early 90's hardcore music in using certain sounds in exhibiting a similar sort of 'chuck it in if it works' quality. I don't want to go overboard on the chin strokery analysis which the use of 'nuum' samples invites, because really the achievment of this music is to make you twitch around in your chair like a human hamburger leaving death row.

Stereotyp - Uepa (feat.Joyce Muniz) - Man Recordings

Untold - Just for You (Roska remix) - forthcoming Hotflush

Hot City - No More - forthcoming Infrasonics

Untold - Never went away - unreleased

Untold - I can't stop this feeling (Pangaea remix) - forthcoming Hemlock

Untold - No one likes a smartarse - unreleased

Untold - Gonna work out fine - unreleased

Untold - You didn't win the holiday - unreleased

Untold - Stop what you're doing - unreleased

DJ C - Jump Up and Bounce (ft. Ms. Thing) (LV remix) - unreleased

Littlefoot - Sell my soul - unreleased

Mount Kimbie - Esasub - unreleased

TRG - Siberian poker - unreleased

Ramadanman - Bleeper - unreleased

Ramadanman - No swing - unreleased

Joe - Perculate - unreleased

Untold - Flexible - unreleased

Shortstuff & Mickey Pearce - Tripped up - unreleased

LV - Crossfire - unreleased

Generally speaking, this is raw and 'shallow' music. There's not much depth (there's no room for it - it's surface orientated, sounds jostling for position... it's too ADD also - warping, pitch-eluding synths, rhythm evading drums and almost childish: ecstactic, restless, joyful... emotions as unambiguous as in rave music...)... but who cares? It's rave music. Dance music. It's fun music, not po-faced: but not a joke either. Being taken away from genre, from specific places, is a double edged sword - certain things are lost but the focus becomes more about the sounds: how they're used, how they can be clashed and mashed together etc. And the lack of deference to generic rules results in things you haven't heard a hundred times before (if you're me, at least).

I've clearly got too much thought on my brain.

That Roska RMX is raw, and his remix of Neighbourhood (see HERE) sounds even better.

Peverelist @ Phonica 5th Birthday

DOWNLOAD HERE

1. Turbulence - Notorious

2. Scuba - Twitch (Jamie Vex'd RMX)

3. Gemmy - Bass Transmiter

4. Roni Size - Don't Hold Back (Joker RMX) Instrumental

5. Joker - Untitled.rsn

6. RSD - Over It

7. 2nd II None - Waterfalls (Peverelist RMX)

8. Peverelist - Dub

9. Peverelist - The Blues (or bluez)

10. STP aka. Shed - The Fall (Peverelist RMX)

11. Peverelist - Esperanto (dub)

12. Pinch - Midnight Oil

13. Peverelist - On & On

14. " - " " "

15. Shackleton - You Bring Me Down (peverelist remix) (~scape)

16. Peverelist - Infinity Is Now

17. 2562 - Dub

18. Mala - City Cycle

19. Henry & Louie - Rise Up (RSD RMX)

20. Martyn - Vancouver (2562 RMX)

21. 2562 - Kontrol

22. Pinch vs Peverelist - Revival (dub)

23. Pinch - Joyride (tectonic)

24. Guido - Orchestral Lab

This set is quite the tits, big up lemon78 for the upload. I listened to this set quite recently, lying in complete darkness while off my tits, and on my headphones it was a revelation. It distracted me so much that I forgot to be sick all over myself. For that alone, big up Peverelist.

A lot of basslines on this mix are really low, almost subliminal, anchored in the kick drum - sort of a jungle sounding 808 style bass but often pounding in a Miami Bass/techno sort of way. Pay special attention to ''The Bluez'' to catch some of this gulp-of-barry-white-bass; if you're listening on some proper speakers/headphones, you won't even need to be told that. This chest-pounding intensity in the kicks reminds me of Mala tunes like 'Bury the Boy', 'Neverland' and (the included) 'City Cycle'. It's a powerful, eyes-down and tribal sort of sound, inducing the same sort of mesmeric trance that techno can while remaining rhythmically dynamic and restless.

The synths on top (as in 'Midnight Oil' by Pinch) are altogether more icy and otherworldly than on Mala's warmer, more poignantly mournful tunes, I think.* I suppose these filtered saws/squares are the sort you find in a lot of Detroit techno, but also in some of the jungle/DNB that Pev says he is influenced by in THIS interview with Resident Advisor. Any excuse to post up one of the best DNB tunes ever made, eh?

''If you listen to a Krust or Die or Bill Riley record from the mid-90's—and they're some of my biggest influences—they're just long drum & bass grooves, or "rollers" as they came to be known. They just go on forever and mutate, and that's more where the Peverelist sound comes from rather than it being dubstep plus techno equals Peverelist.'' (RA interview)

This set has the magic 'trance out + spaz out' combination that a merging of techno and dubstep at its best should have IN MY OPINION (see: THIS post on Detmann/Shed et al from January). Of course, Pev himself probably just sees this apparent techno/dubstep fusion in his music as a continuation of the 'roller' aesthetic in jungle. And you can see the widsom in this (leaving aside the truth in it for a brief pseudo point) - keeping the rudeness and reggae soundsystem elements in dubstep and not abandoning the faith in meditational/hypnotic states, minimalism, subtlety etc. (also in resisting turning dubstep into a monolithic pound in the process of escaping from it becoming a monotonous kick-fill revved drop contest).

This was one of the keys to the power of pre-wobble dubstep - a stripped down and tough groove hooking you in, subtleties of rhythm/texture unfolding over the top of it. Somebody please get rid of the smoking ban so we can all start drooling against the speakers again with our hands in our pockets. Ketamine won't cut it, it makes you too interested in how everybody's staring at you, you just know they are. For now, stoned on headphones is the best that can be done for me.

blah blah blah... Annnyway all pontification aside it's a banging mix that will make you screwface a lot. So download it, you wasteposthuman.

* interestingly just remembered how Pev talks about 'taking the human qualities' out of his music in the RA interview. Could be a bit presumptuous of me to say so but I reckon Mala's approach could be quite the opposite!

Funkle Fuck

Christmas is traditionally a time of both giving and committing suicide, and today I feel like putting my metaphorical hand in my pocket and my figurative head in the symbolic oven simultaneously by bigging up a producer who has had to contend over the past year with having the same name as that guy off Eastenders who did this tune, which I'm sure you'll remember:

Now - is there any other tune which so instantly evokes sitting barely conscious by the bar at Christmas as everybody else whispers sweet Rohypnols in each others ears, staring with limp dead-eyed despair at your beer saturated lap, as wet and unloved as a stone at the bottom of the Irish sea? Wishing that a miniscule fanatic would run screaming into the pub and straight up your bottom, into your lower intestine and detonate a half pound of C4?

Plus - look at his son! I've seen dribbles of sperm embedded in my pubic wig that were less deserving of being screwed up in a ball of tissue and flushed into a sewer. This is precisely why everyone fucking hates Martin Kemp and wants to see him and his coiffured-turd of a son hung by their necks until they look like two bottles of HP Sauce that somebody is squeezing too hard in the middle.

But ^ THIS ^ Martin Kemp deserves none of your hatred (yet). His tunes (listen to some clips HERE) are, a bit like his brother Brackles', weird and wonky with a lot of shuffle in the beats and manage to be deep without losing the jump-n-twist factor.

I'd describe them as 'Deep Funky', if the very thought of such a genre emerging, in a thousand colours of the vinyl rainbow, didn't make my fingers atrophy with horror. But like funky tunes, these tunes have the warm and/or energetic pulse of house music coupled with the swing and sub-bass of two-step. But there's an atmosphere created by the synths and arrangement which you don't really find in the (amazing) UK Funky tunes by producers like Roska and H-H-Banton, which have similarly interesting and bodymovin rhythms to them. I guess you can hear this mixture emerging in tunes like this:

Elements of the dubstep and funky communities/scenes are definitely engaging in dialogue at the moment - Kode 9, whose latest set at FWD was (to the chagrin of some) about 50% funky/percussive house, seems to be leading the way as usual in this respect (and of course FWD itself). And apparently Marcus has been playing some bits by Kode and Ramadanman.

It seems to me that there's a great deal of dubstep (not all of it - see Silkie/Quest/TRG etc.) now which has less in common with UK garage than with DNB/techno/hip-hop, which is fine, but that garage-connection seems strong in Funky, and perhaps some sort of Funky/dubstep hybrid will emerge in 2009 that will help strengthen dubstep's ties to its musical roots in two-step and latterly 'tribal' percussion. [L.D has also just remixed 'Do You Mind' and you can't forget D1, whose 'Oingy Boingy' bridges the gap nicely]

I've recently ranted about the merits of mixing things up on here, and I'd love to see either some slightly slower dubstep or slightly faster funky coming out in 2009 so that its easier to mix them together. When mixing house/techno/garage/funky together I find that dubstep is the only genre that is slightly harder to fit in, unless you pitch the funky up or dubstep down. But some DJs are already managing to do it effectively (see HERE jimmy for a great little Jackmaster mix)

Anyway- Mart's tunes are bleedingly obviously marvellous, and will wipe forever from your mind the image of Martin punching that old dear Dot Cotton in the boat outside the Old Vic for nicking a hanky from his bloomin pockets. That was the original point of this post until I put my pontificating cap on.

Pick N Mix

Lately it seems that all the best mixes I've been hearing have been mixing different styles up like sperm in the guts of a gangbang record breaker. There's Ben UFO's latest show, wot I just posted about yesterday, the boy Bizmarc's excellent funky/techno colliding Gorillacopter mix, Spyro and Maximum cross-breeding grime, garage and funky on Rinse a while ago, and many more examples which I can't be fucked to link right about now.

4 Line Haiku off Dissensus wrote this the other day:

"The growing amount of released funky seems to be leading to a lot of house/techno -> funky -> 2step -> dubstep type DJ sets, which is nothing but good news in my book.

I know for a fact that every single mix I'm doing at the moment goes something like that. Most of Ben UFO's recent radio shows are another (probably better) example.

Obviously this sort of thing has always been perfectly doable, but the combination of sped up funky and slightly pitched down 2step covers that slightly awkward BPM gap so perfectly, it would be rude not to do it"

and it reminded me of what Blackdown wrote in THIS post about Funky almost a year ago. Writing about how DJs in Napa in 2007 were mixing funky with bassline and grime and all-sorts of other things, he remarkled:

"(2000) was a halcyon era, where a tempo plateau around 138bpm saw multiple genres and scenes mixing and interacting, with the old school UK garage guard meeting the upstarts of raw proto-grime, dark 4x4 beats like DJ Narrows being mixed with Zinc-inspired breakbeat garage rollers, housey Todd Edwards-style 4beat mixed into proto-dubstep like El-B, Horsepower and Zed Bias.

Since then the various factions have either diverged or fragmented, occasionally interacting but seldom truly engaging in sustained dialog. Until summer 2007. Seven years on, suddenly it felt like there was another tempo plateau appearing again.."

Having recently been extremely excited to hear this kind of DJing style in practice on various aformentioned radio shows, and having rejuvinated my own interest in mixing somewhat by mixing 'Woman Trouble' with UR's 'Timeline' (and discovering an uncanny fit in the process) and stuff like that, I would have to agree that if this style of DJing came into vogue in clubs as well as the bedrooms of GEEKS (lol) it would really be the kick in the pants that plenty of underground scenes are begging for.

Another DJ who has recently been doing this (in fact who has probably been doing it for fucking ages) is Night Slugs' honcho Alex Bok Bok. He talks about the ethos behind the Night Slugs night in THIS Fact Magazine interview, which also includes a mix which perfectly illustrates the sort of informed eclecticism I'm drooling about. You also need to check out his latest Sub FM show in which he went back to back with Dress 2 Sweat's head honcho (there's a lot of honchos sticking their oars in) Jackmaster. It is fucking superb. The link is HERE and the tracklist is as follows...

01 - ROSKA -
02 - D MALICE - monopoly
03 - ILL BLU - frontline instrumental
04 - APPLE - seigalizer
05 - KERIZMA - broken beats
06 - ROD LEE - let me see what u workin with
07 - DJ ROB 3 - the chase
08 -
09 - CRAZY COUSINZ - Infiltration
10 - FINGERPRINTS - just leave remix
11 - LIL SILVA - funky flex
12 -
13 - D1 - ongie bongie
14 - WIZZBIT - jamhot (DAVINCHE remix)
15 - DAVINCHE -
16 - WILEY -
17 - PALEFACE - Do You Mind (TERROR DANJAH remix ft KYLA & BADNESS)
18 - TUBBY - t-mac
19 - ROSKA - our father
20 - ZOMBY - rumours
21 - GEMMY - back to the future
22 - CRIME MOB - stilettos (pumps)
23 - IKONIKA - please
24 - RUSTIE - bad science
25 - ZOMBY - aquafre5h
26 - D1 - bg
27 - LIL SILVA - seasons
28 - GEENEUS - into the future
29 - IRONSOUL - you liar
30 - DOK - big bang
21 - LAVA UNIT - not interested
22 - RUDE KID - sing for me instrumental
22 - NASTEE BOI - bangorz
23 - L-VIS & BOK BOK - bongo ram refix
24 - MALA - hunter
25 - WITTYBOY - attention
26 - DS1 -
27 - DROP THE LIME - hear me (4x4 mosh dub)
28 - PANTHA - damn thing
29 - MYSTIC MATT - igloo 2008 remix
30 - unknown - ENDZ vs ICE RINK 4x4
31 - KODE9 vs LD - bad
32 - L-VIS 1990 - zahonda
33 - STARKEY - gutter music
34 - MOVES!!! - playaz
35 - ILLMANA - shut yr mout rudeboi
36 - FUZZY LOGIC - twiss
37 - PIDDY PY - giggle riddim
38 - L-VIS 1990 - playing with knives refix
39 - KENTPHONIK - sunday showers

There's obviously still a lot to be said for working within a single genre as a DJ - it allows you to go in deep in a way that playing across the board arguably doesn't. But personally I find that the idea of mixing like this actually makes me feel much more excited and pant-wettingly enthusiastic about being a DJ. For starters, it's obviously a lot more fun mixing together different styles of beats and discovering things that (often against all odds) work together in the blend. But it also seems to me that it makes selection a much more individualistic thing.

If you're a strictly dubstep DJ its hard to bring a selection that isn't going to be pretty much exactly the same as the next guy. With this style of DJing you have so much stuff to choose from that you might very well end up playing a completely distinct set from anyone else... And if that sounds like its coming too much from a DJs perspective, maybe it is. But I reckon a lot of people on dancefloors across the country would be relieved to hear a wider range of styles on a night out (I've got to mention Notts based nights Wigflex and Futureproof here, as both are pushing this kind of eclecticism) and it keeps things interesting/NOT BORING when you never really know what's coming next.

Oh, and here's the flyer for the next Night Slugs at which about four different absolute dons are spinning


Other things I recommend mixing up in 2009: Ketamine/Pills, Mars Bars/Apples, Indie Groups.

belch

First up, Pinch has done a mix to celebrate the first birthday of Rob Booth's humonghuge Electronic Explorations series. Loads of Pinch dubplates. Need I type more? I could do, but I'd probably end up writing the words 'dystopian post-humanoid neuro-sonic-architectautologlogical cerebrashards' or something, which would be unfair.

Right click and save HERE for the mix. For more info go to the EE website, linked just ^ up there.

[01] - DZ - Just Rollin (Akira Kiteshi Remix) - [Forthcoming ‘Black Acre’]
[02] - Jus Wan - Affletic - [Forthcoming ‘Applepips’]
[03] - Planas - Zulu - [Forthcoming ‘Ranking Records’]
[04] - Reso - If Ya Can’t Beat Em - [Forthcoming ‘Civil Music’]
[05] - Ben Sharpa - Hegemony - [Jarring Effects]
[06] - 16bit - In The Death Car - [Forthcoming ‘Boka Records’]
[07] - Enormous O’clock - Disparity - [Ai Records]
[08] - Millie & Andrea - Black Hammer - [Daphne]
[09] - Gunjack - Bruckshut’s Revenge - [Unsigned]
[10] - Kid606 - Die Soundboy Die - [Tigerbeat6]
[11] - Indigo - Ignite - [Forthcoming ‘Surface Tension Recordings’]
[12] - HxdB - Sedation Nation - [Forthcoming ‘Surface Tension Recordings’]

Pinch (Owner of ‘Tectonic Records’) In The Mix — EE.ORG 1st Anniversary Mix

01 - Pinch & Pavel Ambiont - Poison Antedote - [Dubplate]
02 - Pinch - E.Motive - [Planet Mu]
03 - Pinch - Attack Of the Giant Robot Spiders - [Dubplate]
04 - 30Hz - Mutate(d) (Pinch Rework) - [Lot 49]
05 - Pinch - Chamber Dub - [Soul Jazz]
06 - Deleted Scenes - Terminate - [Dubplate]
07 - Pinch - Midnight Oil - [Tectonic]
08 - Peverelist - The Blues - [Dubplate]
09 - Pinch & Peverelist - Revival - [Dubplate]
10 - Distance - V (Pinch Remix) - [Dubplate]
11 - Pinch - Joyride - [Tectonic]

[13] - Mount Kimbie - Maybes - [Forthcoming ‘Hotflush Recordings’]
[14] - Octa Push - Ai Nadia - [Dub]

Second up, the illustrious DJ Zinc is apparently DJing fidget house nowadays instead of DNB, and THIS mix showcases some of the stuff he now plays. I haven't got a tracklist and I haven't a clue what it might be, since I know fuck all about fidget house. I've always found this kind of music a bit too maniacally upbeat and self-consciously 'banging', but what with recently getting a bit sick of 'deep' music which seems to make up for in tastefulness what it lacks in energy, I'm actually finding this sort of inflatable mallet music quite refreshing.

Lastly (Subliminal Download This Hard House Banton Mix Message To Be Placed Here and Whited Out Later), on Sub FM the other night Hessle Honcho Ben UFO and Night Slugs uhhh Nice-Up Sultan Alex Bok Bok went back to back and played 2 hours of pretty much everything good (funky, niche, grime, garage, dubstep etc.) I posted up their previous b2b on here a while ago but I think this one is even better. Click HERE for the mix.

1. Theo Parrish - Took Me All The Way Back
2. Luciano - Mousa Big Band
3. The Martinez Brothers - My Rendition
4. Roska - Feline
5. Zander VT - Get Up
6. Rod Lee - Let Me See
7. DJ Mystery - Changes
8. L-Vis 1990 - Flux
9. Marcel Dettman - Shatter Proof
10. D Malice - My Joy
11. Christian Martin - Elephant Fight
12. X5 Dubs - I Wish
13. Radioslave - Tantakatan [Shed mix]
14. DJ Tameil - Body
15. Hard House Banton - Sirens
16. Lighter - Skanker
17. Sticky and Viper - I'm On The Mic
18. Artwork - Basic G
19. Lil Silva - Funky Flex
20. Roska - Our Father
21. James Lavonz - Feel My Dreams
22. Leee John - Mind, Body and Soul [MJ Cole mix]
23. Tubby - Slush
24. Bigshot - Stomp VIP
25. Rustie - Tempered
26. Trim and Scratch - Trim and Scratch
27. Scratchy - Shangooli (Geeneus remix)
28. Tasty Grits Production - Chase Rhythm
29. Distance - Repercussions
30. Milanese - The End [Untold remix]
31. Drop The Lime - Hear Me [Buraka Som Sistema remix]
32. D Malice - Gabryelle refix
33. Skream - The Bug
34. Silkie and Harry Craze - Favela
35. Rebound X - Mystery
36. Wizzbit - Emerald City
37. D1 - BG
38. Pearson Sound - Ex
39. D.O.K. - Royal Flush
40. Pantha - Damn Thing
41. TRG - Broken Heart [Martyn remix]
42. TRC vs Addictive - Right There
43. Silverlink feat. Jammer and Badness - The Message Is Love [Starkey remix]
44. J-Sweet - Gutter (Alias Remix)
45. Scuba - Tense
46. Octa Push - Ai Naida
47. Brackles - Lizards

# chin - check follows #

Eclecticism can seem tokenistic and shallow (''look at me, I'm playing Night AND Hearbroken!''), but when DJs with real knowledge and love for the music they play do it it can have a completely different effect on the listener: instead of being comfortably reminded of the greatest hits from different genres, you're encouraged instead to make connections between pieces of music you might never have linked, and to see familiar tunes in a different light. So, for example, a 'deeper' dubstep tune, when mixed into a grime or funky or house tune, almost becomes a different tune to that which it is in a set entirely consisting of deep dubstep.

Anyway, it isn't as if this set was an intellectual excercise or nuffin' - it was as 'banging', in its own way, as the most bait crammed Scratch Poiverts set (who to be fair are pretty fucking good at that kind of set). If anything, a set like this seems to discourage the usual genre'n'scene related chin-stroking by taking tunes partially out of their convention/anti-convention ridden scenes and encouraging the listener to see them as individual pieces of music (though ironically often also reminding you, in the process, of what you really love about certain genres).

I notice now that there's a definite theme going on in this post which I never intended to give to it... but this is what I've been thinking about recently, in an effort to distract myself from the global financial crisis, the crisp darkness that flickers at the core of every human soul and from not having enough money to buy the D Malice EP.

P.P.S.: here's something good by Masters at Work.